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The term shōnen-ai (boy love) originally connoted ephebophilia or pederasty in Japan, but from the early 1970s to the late 1980s, was used to describe a new genre of shōjo manga, primarily produced by the Year 24 Group of women authors, about beautiful boys in love.

Characteristics of shōnen-ai include exoticism, often taking place in Europe, Jeffrey Angles particularly notes Moto Hagio's The Heart of Thomas (1974) and Keiko Takemiya's Kaze to Ki no Uta (1976–1984) as being groundbreaking, noting their portrayal of intense friendship between males, including jealousy and desire.

Yaoi derives from two sources; in the early 1970s, shōjo manga magazines published tanbi (aesthetic) stories, also known as shōnen ai (boy love), featuring platonic relationships between young boys.

The other influence began in the dōjinshi (fan fiction) markets of Japan in the late 1970s as yaoi, a sexualized parody of popular shōnen manga and anime stories.

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A gay male who asks out another male can initiate the relationship but also enjoy the sensation of being a bottom in anal sex.

In the 1980s, the genre was presented in an anime format for the first time, including the works Patalliro!

(1982) which showed a romance between two supporting characters, an adaptation of Kaze to Ki no Uta (1987) and Earthian (1989), released in the original video animation (home video) format.

Although the yaoi genre is also called Boys' Love (commonly abbreviated as BL), the characters may be of any age above puberty, including adults.

Works featuring prepubescent boys are labelled shotacon and seen as a distinct genre.

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